A few days ago, one of the most ubiquitous live shows in the country, Shen Yun, began its latest run at Lincoln Center, drawing thousands of people to a performance that is colorful, acrobatic and — according to many of its performers — shockingly abusive.
Nicole Hong, one of the reporters behind a New York Times investigation of Shen Yun, discusses what that reporting has revealed about the secretive enterprise.
