Marguerite Duras

What was enough for her is not enough for her daughter.

Every day I saw her planning her own and her children’s future.

Writing, for those people, was still something moral. Nowadays it often seems writing is nothing at all. Sometimes I realize that if writing isn’t, all things, all contraries confounded, a quest for vanity and void, it’s nothing.

Writing, for those people, was still something moral. Nowadays it often seems writing is nothing at all.

And it’s to this, this failure to have been created, that the image owes its virtue: the virtue of representing, of being the creator of, an absolute.

The crucial ambiguity of the image lies in the hat.

This self-betrayal of women always struck me as a mistake, an error.

You didn’t have to attract desire. Either it was in the woman who aroused it or it didn’t exist. Either it was there at first glance or else it had never been. It was instant knowledge of sexual relationship or it was nothing.

The story of my life doesn’t exist. Does not exist. There’s never any center to it. No path, no line. There are great spaces where you pretend there used to be someone, but it’s not true, there was no one. The story of one small part of my youth I’ve already written, more or less—I mean, enough to give a glimpse of it.

Fifteen and a half. The body is thin, undersized almost, childish breasts still, red and pale-pink make-up. And then the clothes, the clothes that might make people laugh, but don’t. I can see it’s all there. All there, but nothing yet done. I can see it in the eyes, all there already in the eyes. I want to write. I’ve already told my mother: That’s what I want to do—write. No answer the first time. Then she asks, Write what? I say, Books, novels. She says grimly, When you’ve got your math degree you can write if you like, it won’t be anything to do with me then. She’s against it, it’s not worthy, it’s not real work, it’s nonsense. Later she said, A childish idea.

One day, I was already old, in the entrance of a public place a man came up to me. He introduced himself and said, “I’ve known you for years. Everyone says you were beautiful when you were young, but I want to tell you I think you’re more beautiful now than then. Rather than your face as a young woman, I prefer your face as it is now. Ravaged.”

I often think of the image only I can see now, and of which I’ve never spoken. It’s always there, in the same silence, amazing. It’s the only image of myself I like, the only one in which I recognize myself, in which I delight.