en

Susan Sontag

  • Анастасия Трошковаhas quotedlast year
    In teaching us a new visual code, photographs alter and enlarge our notions of what is worth looking at and what we have a right to observe.
  • Анастасия Трошковаhas quotedlast year
    grammar and, even more importantly, an ethics of seeing.
  • Анастасия Трошковаhas quotedlast year
    means putting oneself into a certain relation to the world that feels like knowledge—and, therefore, like power.
  • Andreea Elenahas quoted8 months ago
    MARTIN LUTHER KING, JR. · Letter from Birmingham Jail
    ALLEN GINSBERG · Television Was a Baby Crawling Toward That Deathchamber
    DAPHNE DU MAURIER · The Breakthrough
    DOROTHY PARKER · The Custard Heart
    Three Japanese Short Stories
    ANAÏS NIN · The Veiled Woman
    GEORGE ORWELL · Notes on Nationalism
    GERTRUDE STEIN · Food
    STANISLAW LEM · The Three Electroknights
    PATRICK KAVANAGH · The Great Hunger
    DANILO KIŠ · The Legend of the Sleepers
    RALPH ELLISON · The Black Ball
    JEAN RHYS · Till September Petronella
  • Andreea Elenahas quoted8 months ago
    FRANZ KAFKA · Investigations of a Dog
    CLARICE LISPECTOR · Daydream and Drunkenness of a Young Lady
    RYSZARD KAPUŚCIŃSKI · An Advertisement for Toothpaste
    ALBERT CAMUS · Create Dangerously
    JOHN STEINBECK · The Vigilante
    FERNANDO PESSOA · I Have More Souls Than One
    SHIRLEY JACKSON · The Missing Girl
    Four Russian Short Stories
    ITALO CALVINO · The Distance of the Moon
    AUDRE LORDE · The Master’s Tools Will Never Dismantle the Master’s House
    LEONORA CARRINGTON · The Skeleton’s Holiday
    WILLIAM S. BURROUGHS · The Finger
    SAMUEL BECKETT · The End
    KATHY ACKER · New York City in 1979
  • Andreea Elenahas quoted8 months ago
    CHINUA ACHEBE · Africa’s Tarnished Name
    SUSAN SONTAG · Notes on ‘Camp’
    JOHN BERGER · The Red Tenda of Bologna
    FRANÇOISE SAGAN · The Gigolo
    CYPRIAN EKWENSI · Glittering City
    JACK KEROUAC · Piers of the Homeless Night
    HANS FALLADA · Why Do You Wear a Cheap Watch?
    TRUMAN CAPOTE · The Duke in His Domain
    SAUL BELLOW · Leaving the Yellow House
    KATHERINE ANNE PORTER · The Cracked Looking-Glass
    JAMES BALDWIN · Dark Days
    GEORGES SIMENON · Letter to My Mother
    WILLIAM CARLOS WILLIAMS · Death the Barber
  • Andreea Elenahas quoted8 months ago
    BETTY FRIEDAN · The Problem that Has No Name
    FEDERICO GARCÍA LORCA · The Dialogue of Two Snails
    YUKO TSUSHIMA · Of Dogs and Walls
    JAVIER MARÍAS · Madame du Deffand and the Idiots
    CARSON MCCULLERS · The Haunted Boy
    JORGE LUIS BORGES · The Garden of Forking Paths
    ANDY WARHOL · Fame
    PRIMO LEVI · The Survivor
    VLADIMIR NABOKOV · Lance
    WENDELL BERRY · Why I Am Not Going to Buy a Computer
  • history_grhas quoted2 years ago
    ‘One should either be a work of art, or wear a work of art.’

    – Phrases & Philosophies for the Use of the Young
  • history_grhas quoted2 years ago
    Taste has no system and no proofs. But there is something like a logic of taste: the consistent sensibility which underlies and gives rise to a certain taste. A sensibility is almost, but not quite, ineffable. Any sensibility which can be crammed into the mold of a system, or handled with the rough tools of proof, is no longer a sensibility at all. It has hardened into an idea
  • history_grhas quoted2 years ago
    To snare a sensibility in words, especially one that is alive and powerful,fn1 one must be tentative and nimble. The form of jottings, rather than an essay (with its claim to a linear, consecutive argument), seemed more appropriate for getting down something of this particular fugitive sensibility.
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