Libretti of 41 operas

This file includes: Adelaide di Borgogna, in Italian; Adina, in Italian; Armida, in Italian; Aureliano in Palmira, in Italian; Bianca e Falliero, in Italian; Ciro in Babilonia, in Italian; Le Comte Ory, in French; Demetrio e Polibio, in Italian; Eduardo e Christina, in Italian; Elisabetta Regina d'Inggilterra, in Italian; Ermione, in Italian; Guglielmo Tell, in Italian; Guillaume Tell, in French ; Il barbiere di Siviglia, in Italian Il Conte Ory, in Itallian; Il signor Bruschino, in Italian; Il Turco In Italia, in Italian; Il viaggio a Reims, in Italian; Ivanhoe, in French; La Cambiale di Matrimonio, in Italian; La Cenerentola, in Italian; La Donna del lago, in Italian; La Gazza ladra, in Italian; La Gazzetta, in Italian; La Pietra del paragone, in Italian; La Scala di seta, in Italian; L'ape musicale, in Italian; L'assedio di Corinto, in Italian; Le siège de Corinthe, in French; L'equivoco stravagante, in Italian; L'inganno felice, in Italilan; Italiana in Algeri, in Italian; L'ocassione fa il ladro, in Italian; Maometto Secondo, in Italian; Matilde de Shabran, in Italian; Moïse et Pharaon in French; Mosè, in Italian; Otello, in Italian; Ricciardo e Zoraide, in Italian; Roberto Bruce, in Italian; Semiramide, in Italian; Sigismondo, in Italian; Tancredi, in Italian; Torvaldo e Dorliska, in Italian; and Zelmira, in Italian. According to Wikipedia: «Gioachino Antonio Rossini (February 29, 1792 — November 13, 1868) was an Italian composer who wrote 39 operas as well as sacred music, a few songs, and some instrumental and piano pieces. His best known works include Il barbiere di Siviglia (The Barber of Seville), La Cenerentola, La gazza ladra (The Thieving Magpie) and Guillaume Tell (William Tell). A tendency for inspired, songlike melodies is evident throughout his scores, which led to the nickname “The Italian Mozart.” Until his retirement in 1829, Rossini had been the most popular opera composer in history.”