The Sex and the City Problem wasn’t just Reese’s problem, it was a problem for all women. But unlike millions of cis women before Reese, no generation of trans women had ever solved it. The problem could be described thusly: When a woman begins to notice herself aging, the prospect of making some meaning out of her life grows more and more urgent. A need to save herself, or be saved, as the joys of beauty and youth repeat themselves to lesser and lesser effect. But in finding meaning, Reese would argue—despite the changes wrought by feminism—women still found themselves with only four major options to save themselves, options represented by the story arcs of the four female characters of Sex and the City. Find a partner, and be a Charlotte. Have a career, and be a Samantha. Have a baby, and be a Miranda. Or finally, express oneself in art or writing, and be a Carrie. Every generation of women reinvented this formula over and over, Reese believed, blending it and twisting it, but never quite escaping it.