In “The Masque of the Edwards of England,” Charles Robert Ashbee masterfully intertwines drama, history, and royal celebration in a unique coronation pageant. Written in the early 20th century, this work serves as both a tribute to the legacy of the English monarchy and a reflection on the socio-political climate of the time. Ashbee employs a lyrical yet accessible style, drawing on historical sources to portray the grandeur of Edwardian England, encapsulated in a culturally rich performance. The masque, combining visual artistry and theatrical elements, explores themes of power, tradition, and national identity, cementing its significance within the canon of English literature of that era. Charles Robert Ashbee (1863–1942), a noted architect and designer, was deeply influenced by the Arts and Crafts movement, which emphasized craftsmanship and the intrinsic value of art. His background in design and commitment to English heritage informed his vision, leading him to craft this pageant not only as entertainment but as a commentary on the enduring allure of monarchy and the role it plays in shaping cultural identity. For readers interested in the intersection of history and performance art, “The Masque of the Edwards of England” is an essential exploration of royal pageantry that transcends mere celebration, offering profound insights into the relationship between art, culture, and national identity. Ashbee's masterful synthesis of aesthetics and history make this work a valuable addition to the study of English literature and theatre.
