William Faulkner

Absalom, Absalom

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Absalom, Absalom! is a seminal work in William Faulkner's oeuvre that intricately weaves themes of memory, time, and the haunting legacy of the South. The narrative centers on Thomas Sutpen, a complex and morally ambiguous figure whose grand ambitions lead to personal and familial tragedy. Faulkner employs his signature stream-of-consciousness technique, reflecting the fragmented nature of memory and narrative, with a rich stylistic layering that challenges readers to piece together Sutpen'Äôs story from multiple perspectives. Set against the backdrop of the pre-Civil War South, the novel delves deep into issues of race, class, and the inescapable shadows of history, revealing a society grappling with its own identity and the consequences of its actions. William Faulkner, a Southern writer and Nobel laureate, drew upon his own experiences growing up in Mississippi to craft this enduring narrative. His profound awareness of the historical and cultural complexities of the South, combined with a deeply personal exploration of family and identity, informed his writing. Faulkner'Äôs innovative use of language and structure in Absalom, Absalom! reflects not only his literary ambition but also his desire to confront the deeply rooted issues of his homeland. For readers seeking an engaging yet challenging literary experience, Absalom, Absalom! offers a richly constructed narrative that invites readers to explore the dark recesses of memory and human experience. Faulkner's ability to convey the nuances of Southern life through his masterful prose makes this work essential for anyone interested in American literature. This novel is not just a story of individual lives; it is an exploration of the very fabric of Southern identity, making it a timeless classic that resonates with contemporary themes.
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452 printed pages
Copyright owner
Bookwire
Original publication
2021
Publication year
2021
Publisher
Good Press
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Quotes

  • b3064994136has quoted7 years ago
    impalpable wall of gloom which separated them; the sun seemed hardly to have moved. It (the talking, the telling) seemed (to him, to Quentin) to partake of that logic- and reason-flouting quality of a dream which the sleeper knows must have occurred, stillborn and complete, in a second, yet the very quality upon which it must depend to move the dreamer (verisimilitude) to credulity horror or pleasure or amazement - depends as completely upon a formal recognition of and acceptance of elapsed and yet-elapsing time as music or a printed tale.
  • b3064994136has quoted7 years ago
    It should have been later than it was; it should have been late, yet the yellow slashes of mote-palpitant sunlight were latticed no higher up the
  • cobacoba331has quoted9 years ago
    from the fever which had cured the disease, waking from the fever without even knowing that it had been the fever itself which they had fought against and not the sickness,

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