‘The American pavilion,’ Anneke explained. ‘And here is the Soviet one, right next door. Which,’ she added, with a gleam in her eye, ‘is a typical example of the Belgian sense of humour.’
The Soviet pavilion presented a powerful contrast. It conceded nothing in terms of scale, but the heroic simplicity of its design offered a kind of reprimand to American pretension and vulgarity. It was a giant cuboid, constructed from steel and glass, swelling towards the sky almost as far as Thomas’s eye could see as the car eased its way past and he craned his neck out of the window, looking upwards in open-mouthed astonishment. The walls of the pavilion were of corrugated glass, giving it a lightness and openness which belied its dimensions: as if in implied rebuke to Westerners who might have assumed that the very concept of transparency was unknown in the USSR.