In “The Undiscovered Country”, Mr. Howells appears in a new phase, and adds somewhat of the definite moral purpose of the teacher to the grace and finish of the literary artist. From the opening of the first chapter it is evident that the author has this time a further object in mind than the mere portrayal of character. Half-page monologues and whole-page conversations on matters of speculative inquiry are not altogether in the line of Mr. Howell's genius, which has always disclosed more of the artist than of the moralist; the lesson of his literary work being in its perfection and its correspondence to truth, rather than in any serious intent or design which serves as an appendage to the artistic motive. Happily, in “The Undiscovered Country” the author does not pursue his object in that dead-in-earnest style which so commonly tends to overthrow the mental equipoise of a writer and dull his finer perceptions; — happily, that is, so far as the artistic results of his works are concerned, though otherwise, one cannot help thinking, as regards the actual gain accomplished in the elucidation of a very difficult subject. The title of Mr. Howells's book is both ingenious and suggestive. “The Undiscovered Country” remains undiscovered to the last; and the fact that no way of its discovery is found but that of the solitary exploration of death, proves of valuable service to the author, supplying the element of mystery which throws a poetic glamour over the subject he is treating, while it compels no self-betrayal to any opinion or theory, and at the end leads him to revert to the homelier scenes and occupations of practical life for the solution, not of his problem, but of his heroine's happiness and well-being.
