Taking America back . . . one politician at a time.

In one bloody night, three of Washington’s most powerful politicians are executed with surgical precision. Their assassins then deliver a shocking ultimatum to the American government: set aside partisan politics and restore power to the people. No one, they warn, is out of their reach—not even the president. A joint FBI-CIA task force reveals the killers are elite military commandos, but no one knows exactly who they are or when they will strike next. Only Michael O’Rourke, a former U.S. Marine and freshman congressman, holds a clue to the violence: a haunting incident in his own past with explosive implications for his country’s future. . . .

From Library Journal

Adequate production values and a serviceable reading by James Naughton cannot save this audiobook from a truly awful story that tries to pass off a rightist political manifesto with Fascist underpinnings as an entertaining thriller. The silly plot focuses on our hero, a macho U.S. Congressman, who punches out the National Security Advisor in the President’s presence, spouts that slain U.S. Congressmen got what they deserved, calls Congressmen who oppose his agenda «pansies,» and, finally, joins a plot to kill another Fed with assassins who just happen to include an old Marine buddy and the Congressman’s own grandfather. The assassins are all just good Americans, demanding at one point that the President sponsor a crime bill, of all things, or else! They are noble reformers, with a dirty job to do, rubbing out corrupt politicians. This reactionary diatribe is not recommended.?Mark Pumphrey, Polk Cty. P.L., Columbus, NCCopyright 1998 Reed Business Information, Inc.

From Kirkus Reviews

An underwhelming first technothrilleroriginally self-published. One man’s terrorist is another man’s freedom fighter,’’ says Michael O’Rourke to his girlfriend, thus justifying the triple murder of a US senator and a pair of congressmen. They didn’t deserve to live, he further insists, guilty as they were of mismanaging their country’s business. In fact, virtually all politicians—Republicans and Democrats alike—are similarly guilty. Still, the assassinations are meant not merely as punishment but as a warning. Politicians had better shape up, be upright, set aside partisanship, and balance the budget. Or else. Young Michael, the hero of Flynn’s dismal fable, is himself a congressman—the exception that proves the rule. He’s sore at his government and has his reasons. His parents were killed in an automobile accident; the driver of the other car, it turned out, was a drunk, a repeat offender, who should have been off the streets, in jail. Due to the aforementioned mismanagement, however, the government can’t build enough prisons. Nor is this mismanagement accidental; rather, its the inevitable result of self-serving cabals and wicked conspiracies. And as a variety of the aforesaid cabals maneuver to stop the terrorists, Michael finds himself caught squarely in the middle, very much on his own. While there are conspiracies galore here, much of the novel has an undercrafted feel to it: one-dimensional types, clumsy, often careless writing. (Flynn’s heroine hasbig brown eyes’’; a freedom fighter’’ hasbright blue eyes’’—information delivered frequently, each time as if newly minted.) At length, the cabal is thwarted, the once misunderstood terrorist vindicated. ``You’re not going to believe what’s on this,’’ Michael says, handing over the tape that reveals the depth of the conspiracy. He’s right. A sure-fire hit for readers who share Flynns political outlook—the government as ogre. (Author tour) — Copyright ©1998, Kirkus Associates, LP. All rights reserved.

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